Powerhouse Animation is also responsible for Netflix's Blood of Zeus, Masters of the Universe: Revelations, and the upcoming Tomb Raider animated series. Powerhouse Animation, the studio behind Netflix's Castlevania, once pitched a short animated series to Marvel to celebrate the company's 75th anniversary, reveals CEO and CCO Brad Graeber. In a barebones explanation, Humanism is one’s ability to enact power over their given situation, to have the chance to thrive, fail, die or survive on one’s own will, not the will of some unseen God or expired Devil.Captain America Fights Nazis In Marvel Video Pitch From Castlevania Studio Humanism, at its core, fundamentally opposes religion. Religion, and Issac ingeniously exudes this theme. One of the show’s central themes is Humanism vs. He no longer shares Dracula’s goal and now strives to do what his master couldn’t, what Lisa was trying to do. One could say his beliefs transformed from religious to humanistic. After the chat with the Captain, Issac’s demeanor is a lot more melancholy and calculated, showing he heeded the advice of the wise sailor. And utterly opposite to Dracula himself, who hoarded his intelligence and refused any intimate relationship with humans. This idea of bettering society through knowledge is precisely what Lisa Tepes was attempting to do by using Dracula’s wisdom to improve the state of medicine. And with Issac’s knowledge and power, he could lead people to better themselves. But again, the Captain shows wisdom, admitting the world is evil, and so the people in it, but if humanity is gone, there can be no chance for improvement. Of course, Issac retorts that humanity is cruel and deserves extinction. When discussing Issac’s plan to follow his former master’s goal, the Captain proposes Issac is playing a part in Dracula’s story rather than forging his own. In episode 3 of season 3, Issac has a conversation with the Captain of the ship he’s traveling on, which is pivotal for his character. So Issac finds himself back in Africa, and struck with the loss of his master, he takes up Dracula’s quest for destruction, constantly lashing out at other humans along his journey. Before his master’s death, Dracula spared Issac’s life by forcing him through a transmission mirror, a type of magical mirror that allows for teleportation. But after Dracula’s death, Issac searches for a sense of purpose. In a sense, he revered Dracula as God himself. Issac is Dracula’s most loyal follower, showing an obsequious loyalty even after death. After enduring such a tortured existence, only to be saved from fellow humans by a vampire, it kindled the idea that maybe humanity is rotten to the core. He then traveled Africa while learning magic until he was hunted by a group of magicians interested in selling his body parts, leading to his eventual meeting and rescue from Dracula. Issac spent his early years as a slave, harboring love for his master, who used Issac’s love as an excuse to continually beat Issac until Issac finally hit his breaking point and kills the man he loves. Issac begins the story as an antagonist with a passionate hatred towards humans. To better understand Issac’s growth, it’s essential to detail the root of his contempt for humankind.
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